The writer and director Halina Reijn narrates a sequence from her film, featuring Nicole Kidman and Harris Dickinson.

The movie, starring Nicole Kidman, operates at the level of the female gaze. Its inversion of erotic thriller tropes leads to fascinating but, at times, tepid results.

In “Babygirl,” Romy Mathis (Nicole Kidman) struggles to balance the different spheres of her life. She has high ambitions, having fought to create her own company and become one of a few female CEOs.

A24's erotic thriller Babygirl, starring Nicole Kidman and Harris Dickinson, opened to positive reviews. Here's how much it's made at the box office.

A TikToker has revealed 'two things' he 'wishes' he knew before seeing A24 release Babygirl starring Nicole Kidman

The family of a La Quinta woman lost two homes in Altadena after a wildfire ravaged through the city.

Babygirl” could crack the door to upending office relationships. It’s a juicy story that practically begs to be on the cover of a tabloid.

Babygirl feels like a mishmash of half-formed ideas—some interesting, some banal—that never quite gel into coherent or compelling drama.

Unfortunately, some of the most popular films in the subgenre seem to forget the three most important parts of these relationships: "Safe, Sane, and Consensual." Halina Reijn's (Bodies Bodies Bodies) new film Babygirl dives into the psychology of wanting this kind of relationship but unlike films like 50 Shades of Grey (bad) and 365 Days (even worse),

Sonically, Perverts is far from its predecessor. Cain replaces the rousing, classic rock-esque riffs of what is arguably her most popular song, “American Teenager,” with a slow drone that thrums through the entire record — all distorted licks and haunting piano melodies.

It’s a miracle,” beams Nicole Kidman, her ­crystalline eyes wide with delight. The actor’s face fills a Zoom window, at home in Nashville, off-duty in a slouchy grey hoodie. In another is the actor Sophie Wilde,