As “The Brutalist” heads into Oscar night with 10 nominations, Hollywood is clamoring for its next big architecture hit. Our illustrator has some ideas.

Brutalism is divisive (President Trump is not a fan) and, as it happens Capital Brutalism, an exhibit that will run through the end of June at the National Building Museum, has already floated some ...

Call them monuments, foreign elements, eyesores — Brutalist buildings have become ... It made use of new materials, new forms, new ideas, splitting from the past after a war that caused so ...

For all its grandeur, The Brutalist is not a particularly accessible film. It’s daunting in length. It’s volatile in its storytelling: broad and purposely over-literal at times, slippery and ambiguous ...

Mostly, they trade on outdated ideas and stereotypes that may work ... Dallas begins landmarking process for City Hall Mark Lamster on why brutalist civic architecture is worth saving.

The ideas become a river of unending symbology that coagulates to impose a firm, unwavering impression onto prospective viewers: “The Brutalist” is important. Even the poster is presumptuous, ...

Guy Pearce and Joe Alwyn in The Brutalist (2024 ... nor does every one of his big ideas come together. A trip to Italy yields some of the most magnificent visuals in a movie with no shortage ...

For all its grandeur, The Brutalist is not a particularly accessible ... It’s a film that’s dense with ideas, to the point of gigantism, and about so very many things at once – the immigrant ...